Film News 2023-09-03

• Why David Fincher Chose The Smiths for Michael Fassbender’s Zen ‘Meditation’ Soundtrack in ‘The Killer’
  Indie Wire
• Mike Faist Says ‘Challengers’ Co-Star Josh O’Connor ‘Physically Transformed’ for Role
  Indie Wire
• ‘The Featherweight’ Review: Robert Kolodny’s Debut Film Is as Agile as its Irrepressible Protagonist
  Indie Wire
• ‘Aggro Dr1ft’ Review: Harmony Korine’s Infrared Nightmare Offers a Hellish but Fascinating Vision of Cinema’s Future
  Indie Wire
• Ncuti Gatwa Couldn’t Handle Being on ‘Barbie’ Set with Ryan Gosling: ‘I Just Drowned in His Eyes’
  Indie Wire
• Emerald Fennell Had Never Seen ‘Euphoria’ Before Casting Jacob Elordi in ‘Saltburn’ 
  Indie Wire
• ‘Maestro’ Review: Bradley Cooper’s Leonard Bernstein Portrait Is Carey Mulligan’s Triumph
  Indie Wire
• Wes Anderson Thinks He Was ‘More Confident’ as a Filmmaker in the Days of ‘Bottle Rocket’
  Indie Wire
• ‘The Royal Hotel’ Review: Julia Garner Fends Off a Town Full of Horny Miners in Kitty Green’s Harrowing Outback Thriller
  Indie Wire
• ‘Maestro’ Makeup Artist Responds to Prosthetic Nose Backlash: ‘I’m Sorry If It Hurt Some People’s Feelings’
  Indie Wire
• Lily Gladstone Calls ‘Yellowstone’ a ‘Delusional’ Portrayal of the American West
  Indie Wire
• ‘Hoard’ Review: An Audacious, Unsettling British Debut Announces a Singular Directing Talent
  Indie Wire