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Film News 2023-05-18
Tom Cruise ‘Appreciates the Ridiculousness’ of His Public Persona, Says Simon Pegg
Indie Wire
Sydney Sweeney Learned How to ‘Not Be Self-Conscious’ in Glen Powell Rom-Com ‘Anyone but You’
Indie Wire
Netflix’s First Upfront Opened with a Dig at ‘Max’
Indie Wire
If ‘Fast X’ Doesn’t Kick Ass, Hollywood’s Global Dominance May Be Over
Indie Wire
Why Martin Scorsese Gave ‘Schindler’s List’ to Steven Spielberg After ‘Last Temptation of Christ’ Backlash
Indie Wire
Cannes 2023 Film Market Acquisitions: Pablo Berger’s Animated ‘Robot Dreams’ Lands at Neon
Indie Wire
John Cena Convinced Margot Robbie to Cast Him in ‘Barbie’ During ‘Fast X’ Filming
Indie Wire
‘Black Bird’ Creates Uneasy Truths Through Performance, Pace, and Sound
Indie Wire
Cate Blanchett on Her Second Great ‘Documentary Now!’ Performance: ‘Death Can Be Very Funny’
Indie Wire
‘Monster’ Review: Hirokazu Kore-eda Riffs on ‘Rashomon’ in a Poignant Melodrama About Rushing to Judgment
Indie Wire
Tom Hanks Wonders If Future Audiences Will Care Whether a Performance Is A.I.-Made or Not
Indie Wire
‘Strange Way of Life’ Review: Pedro Almodóvar’s Gay Western Short Leaves You Wanting More
Indie Wire