Film News 2022-06-17

• ‘Alone Together’ Review: Katie Holmes’ COVID Lockdown Rom-Com Quietly Shines, Until It Doesn’t
  Indie Wire
• Juror in Depp Case Speaks Out: Amber Heard ‘Didn’t Come Across as Believable’
  Indie Wire
• ‘Subject’ Review: Famous Doc Stars Reclaim Their Stories in Insightful Ethical Exploration
  Indie Wire
• ‘Gravity Falls’ Creator Mocks Disney’s Prudish but NSFW Complaints: ‘Each One Still Haunts Me’
  Indie Wire
• How the ‘Station Eleven’ Finale Knit Together 20 Years of Love and Loss
  Indie Wire
• Tribeca Awards 2022: ‘Good Girl Jane,’ ‘January,’ and ‘The Cave of Adullam’ Take Top Honors
  Indie Wire
• ‘The Bear’ Review: Ayo Edebiri Catches Fire in FX’s Intense Cooking Drama
  Indie Wire
• Jerrod Carmichael Explains Why He Spent His Whole Life Preparing to Make ‘Rothaniel’
  Indie Wire
• ‘Only Murders in the Building’: Crafting a Marriage of Old and New, Comedic and Dramatic
  Indie Wire
• ‘Body Parts’ Review: Lively Documentary Flips the Script on Women in Film, with Notes to Spare
  Indie Wire
• All the Details on Andrew Dominik’s NC-17 Marilyn Monroe Portrait ‘Blonde,’ Starring Ana de Armas
  Indie Wire
• ‘Brian and Charles’ Review: An Oddball Comedy About a Lonely Welsh Inventor and His Giant Robot Friend
  Indie Wire