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Film News 2022-05-26
Baz Luhrmann Addresses Race in ‘Elvis,’ Compares Presley to Eminem
Indie Wire
‘Top Gun: Maverick’ Star Monica Barbaro Is More Than the Franchise’s First ‘Female Pilot’
Indie Wire
‘The Silent Twins’ Review: Letitia Wright Stars in a Messy, Maddening Drama About a Real-Life Injustice
Indie Wire
Hayden Christensen Explains His ‘Cathartic’ Return to Darth Vader for ‘Obi-Wan Kenobi’
Indie Wire
Jamie Lee Curtis Gave Glen Powell a NSFW Wrap Present with Her Face on It: ‘Thanks for the Ride of a Lifetime’
Indie Wire
Melanie Lynskey Isn’t a Fan of Watching Herself Onscreen in ‘Yellowjackets’: ‘It’s Torture’
Indie Wire
‘This Is Us’ Finale Had the Series’ Best Ratings Since November 2020
Indie Wire
‘Stars at Noon’ Review: Claire Denis’ Sweaty Romantic Thriller Shines Bright
Indie Wire
‘What We Do in the Shadows’: The Stories Behind Season 3’s Most Memorable Costumes
Indie Wire
The Cannes Market Is Hot! Unless It’s Not: Here’s the Winners and Losers So Far
Indie Wire
William Jackson Harper Highlights His ‘Before Sunrise’ Moment in ‘Love Life’ Season 2
Indie Wire
‘Elvis’ Review: Baz Luhrmann’s Deliriously Awful Biopic Is ‘Bohemian Rhapsody’ at 4,000 M.P.H.
Indie Wire
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